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Creative Technologies International Scan #5

This fifth edition of the International Scan series explores global developments in advanced technologies shaping the Creative Industries.

Posted: 03 February 2026
AuthorsJoshua Dedman, Emma Openshaw, Peter Cobb, Leon Forde and Dr Vicki Williams
PeriodOctober-December 2025

“Between October and December 2025, international activity across advanced media production in the Creative Industries increasingly reflected a move from experimentation towards implementation.”

maxim hopman
Key Findings
  • AI policy in the United States is becoming more fragmented, as individual states introduce media-specific safeguards while federal proposals favour lighter-touch regulation and pre-emption. 
  • Transparency around AI-generated content is becoming a standard requirement, with more jurisdictions introducing disclosure, labelling and provenance rules across advertising, media and digital platforms. 
  • Rights management for generative AI is moving into enforceable practice, with policymakers and industry bodies focusing on practical mechanisms such as opt-out systems, platform responsibilities and clearer copyright rules. 
  • Screen incentives are increasingly being designed to attract higher-value production activity, particularly in post-production, VFX and virtual production, rather than focusing only on principal photography. 
  • Advanced media production is moving further into the policy mainstream, supported by coordinated public investment in skills, infrastructure, safety standards and content development across immersive media, games and virtual production. 
  • Microdrama is emerging as a more structured commercial strategy, with growing investment, commissioning activity and platform interest positioning it as a distinct content model rather than a short-lived format trend. 
  • Immersive theatre is gaining momentum as a source of new intellectual property and audience growth, extending advanced media production into participatory live experiences beyond screen-based formats. 
  • Sustainability is becoming a clearer priority across the Creative Industries, with film and television increasingly linked to clean power, sustainable infrastructure and wider ESG expectations. 
  • Virtual production is becoming a more mainstream production capability, as infrastructure expands internationally and workflows evolve beyond showcase environments into operational use. 
  • The Middle East and North Africa is accelerating investment in advanced media production, building infrastructure and attracting partnerships as part of a wider strategy to develop end-to-end creative ecosystems. 
  • AI integration is becoming central to Creative Industries business strategy, but this is being accompanied by growing legal, reputational and compliance risks around rights, disclosure and stakeholder trust. 
  • XR development is consolidating around more practical distribution models and premium intellectual property, with platforms and producers focusing on wider access, recognised franchises and commercially viable audience engagement. 

Image credit: Max Hopman

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